On Our Shelves Now
Do the Right Thing meets The Bonfire of the Vanities, in this “thrilling debut novel about marriage, gentrification, parenthood, race, and the dangerous bargains we make with ourselves” (Ann Packer, New York Times bestselling author) set over the course of one cataclysmic day when riots erupt in a rapidly gentrifying Brooklyn neighborhood.
Aaron, a disgraced rabbi turned Wall Street banker, and Amelia, his journalist girlfriend, live with their newborn in Bedford-Stuyvesant, one of the most dynamic, historical, and volatile neighborhoods in New York City. The infusion of upwardly mobile professionals into Bed-Stuy’s historic brownstones belies the tension simmering on the streets below. But after a cop shoots a boy in a nearby park, conflict escalates to rioting—with Aaron and his family at its center.
Pulled into the riot’s vortex are Antoinette, devout nanny to Aaron and Amelia’s son; Jupiter, the single father who lives on their block with his son, Derek; Daniel, Aaron’s unhinged tenant in their basement unit; and Sara, a smart high school dropout broiling with confusion and rage. As the day unfolds, these diverse characters are forced to reckon with who they are and what truly matters to them.
Through the lens of one catastrophic day emerges a nuanced portrait of a changing neighborhood and its residents as they struggle to raise children, establish careers, and find love, fulfillment, and meaning in their lives. Sharp-eyed, fast-paced, and “sure to get people talking” (Vanity Fair), Bed-Stuy Is Burning offers a window into an array of complex lives and deftly wrestles with the most pressing issues of our time.
“Platzer’s take on race, religion, class, and politics—all the subjects you’re not supposed to discuss—is sure to get people talking.”
“Riveting, full of cliffhanger chapter endings and surprise twists… Mr. Platzer deftly swivels among the clashing points of view, and the climax, in which Aaron returns to disperse the crowd with an improvised sermon, is powerfully done.”
“Heart pounding and relentless…Bed-Stuy is Burning offers a suspenseful, well written, and empathetic story filled with wit, wisdom, and hard truths….An engaging, timely, and provocative read.”
"Brian Platzer's first novel captures a violent day in the uneasy life of a gentrifying Brooklyn neighborhood where the fragility of love, parenthood, class and race is put to the test. A bad day in Bed-Stuy is a vivid microcosm of the United States, but the hope Platzer suggests with his characters' healthy unmasking offers optimism for the whole country's days ahead."
“A debut novel about class conflict, race and gentrification. Reminiscent of Bonfire of the Vanities.”
“The city is burning indeed in New Yorker contributor Platzer's debut novel, sometimes with fire and sometimes with much-compounded shame… Expertly paced, eminently readable, and a promising start.”
"Platzer, a writer and educator who lives in Bed-Stuy, is aiming high here, addressing race-related violence, the Black Lives Matter movement, gentrification, and other volatile topics. He succeeds in presenting multiple perspectives of dramatic yet familiar situations."
“[A] dramatic first novel… the prose is energetic, and Platzer is obviously committed to exploring these contemporary urban issues.”
“Platzer clearly knows his turf. A Bed-Stuy resident himself, he convincingly sketches out how thin the neighborhood's peaceful veneer is.”
"Brian Platzer's first novel is a savvy, heartfelt and utterly engaging examination of gentrification, love, race, ambition, money, parenthood and even faith. A Bonfire of the Vanities for millennials, it is a marvelous, and daring, debut."
"Platzer writes insightfully about political issues while providing a panoramic take on New York that embraces the city's enormous complexity. This deeply moral book avoids easy conclusions and courts that ambiguity that is the hallmark of all great fiction."
"Brian Platzer has written a thrilling debut novel about marriage, gentrification, parenthood, race, and the dangerous bargains we make with ourselves. At once a heart-stopping portrayal of a day of violence and a deeply realized portrait of the five people at its center, Bed-Stuy is Burning marks the arrival of a tremendously accomplished young writer. I can’t wait to see what he does next."
“In Bed-Stuy is Burning, Brian Platzer’s funny, socially acute intelligence combines with his empathetic heart to reveal how faith, violence and real estate speculation shape contemporary life. It is the debut of a fully mature literary voice that has the mordant wit of Franzen, the dazzling smarts of Roth, and the compassion of Tolstoy.”
"Thirty years ago Tom Wolfe tackled New York excess with The Bonfire of the Vanities, and now Brian Platzer strikes his own match with Bed-Stuy Is Burning, the results just as timely and bright. Instead of Manhattan in the Eighties, Platzer turns his sharp eye onto present day Brooklyn: the simmering tensions of race and privilege, of cultural appropriation and identity politics, and of course real estate. The story gives voice to multiple characters in search of their American home – even police commissioner William Bratton has a supporting role – and Platzer has the confident novelistic chops to find the beating heart of humanity in everyone's struggle and striving. Bed-Stuy Is Burning is a wonderful debut. I look forward to whatever Brian Platzer might light up next."
"If you’re looking for the novel everyone will be talking about … Bed-Stuy Is Burning by Brian Platzer."
“A triumphant story…Bed-Stuy is Burning, with its diverse voices and sincere depiction of the fight for social equality, is a mighty fine debut from a writer to watch.”
“An engaging, provocative read [with] a brilliant false ending that complicates the story’s outcome…The unexpected second ending brings a sense of balance to the book, concluding Bed-Stuy Is Burning with fitting ambiguity.”
“[Lean], powerfully-constructed . . . The unassuming bloodlessness of all this is the most daring thing Platzer does in his debut, and he does it so often and so smoothly that you’re sailing along at page 100 or so before you realize that virtually all of the interesting people being so brightly and engagingly described are themselves faintly revolting. And in many ways the most revolting character in the book is gentrification itself, creeping everywhere, soldiered by people just like Aaron, who pat themselves on the back for willingly surrounding themselves with people who don’t look like themselves, especially if it gets them a nice return on their initial investment. There’s a breathless cleanliness in Platzer’s depiction of how thoroughly disconnected the world of Aaron and Amelia is from the world of young Derek, a world boiling with rage at the stepped-up 'stop and frisk' policies of the omnipresent police.”
“[An] engaging first novel… As the story unfolds in a cinematic style, themes of self-reflection, repentance and new beginnings emerge. This is a novel of New York’s streets, set in Brooklyn, at the intersection of race, culture, class, religion and real estate.”