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Other Books in Series
This is book number 3 in the Weimar and Now: German Cultural Criticism series.
- #49: The Promise of Cinema: German Film Theory, 1907–1933 (Weimar and Now: German Cultural Criticism #49) (Paperback): Email firstname.lastname@example.org for information about this item.
A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the twentieth century. Its political and cultural lessons retain uncanny relevance for all who seek to understand the tensions and possibilities of our age. The Weimar Republic Sourcebook represents the most comprehensive documentation of Weimar culture, history, and politics assembled in any language. It invites a wide community of readers to discover the richness and complexity of the turbulent years in Germany before Hitler's rise to power.
Drawing from such primary sources as magazines, newspapers, manifestoes, and official documents (many unknown even to specialists and most never before available in English), this book challenges the traditional boundaries between politics, culture, and social life. Its thirty chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret and urban entertainment, and the situation of Jews, intellectuals, and workers before and during the emergence of fascism.
While devoting much attention to the Republic's varied artistic and intellectual achievements (the Frankfurt School, political theater, twelve-tone music, cultural criticism, photomontage, and urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, and sexuality; it also contains a timetable of major political events, an extensive bibliography, and capsule biographies. This will be a major resource and reference work for students and scholars in history; art; architecture; literature; social and political thought; and cultural, film, German, and women's studies.
About the Author
Anton Kaes is Professor of German and Director of Film Studies at the University of California, Berkeley. He is author most recently of From Hitler to Heimat: The Return of History as Film (1989). Martin Jay is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought (California, 1993). Edward Dimendberg is Assistant Professor of German Studies, Film and Video Studies, and Architecture at the University of Michigan.
"A mosaic panorama. . . . Interweaving classic texts with a wealth of excavated matter, [the editors] have done a great service to anyone interested in what modernism was and, through reinterpretation, may yet become."
— San Francisco Chronicle
"The Weimar Republic Sourcebook will almost certainly transform the way the intellectual legacy of the Weimar Republic is thought about and taught in the English-speaking world."
"Unquestionably, The Weimar Republic Sourcebook is a wonderful resource. . . . Courses on German culture could easily be built around the book's chapters. In addition, it should be on the reading list of all prospective anthologists."
"This is an essential book for anyone teaching a course on the Weimar Republic, and advanced students should be advised to purchase it."
— German History