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May 2014 Greenlight First Editions Club Selection
Paul O'Rourke is a man made of contradictions: he loves the world, but doesn't know how to live in it. He's a Luddite addicted to his iPhone, a dentist with a nicotine habit, a rabid Red Sox fan devastated by their victories, and an atheist not quite willing to let go of God.
Then someone begins to impersonate Paul online, and he watches in horror as a website, a Facebook page, and a Twitter account are created in his name. What begins as an outrageous violation of his privacy soon becomes something more soul-frightening: the possibility that the online "Paul" might be a better version of the real thing.
As Paul's quest to learn why his identity has been stolen deepens, he is forced to confront his troubled past and his uncertain future in a life disturbingly split between the real and the virtual.
At once laugh-out-loud funny about the absurdities of the modern world, and indelibly profound about the eternal questions of the meaning of life, love and truth, To Rise Again at a Decent Hour is a deeply moving and constantly surprising tour de force.
About the Author
"To Rise Again at a Decent Hour is beautifully written. It's also funny, thought-provoking, and touching. One hesitates to call it the Catch-22 of dentistry, but it's sort of in that ballpark. Some books simply carry you along on the strength and energy of the author's invention and unique view of the world. This is one of those books."—Stephen King
"This is one of the funniest, saddest, sweetest novels I've read since Then We Came to the End. When historians try to understand our strange, contradictory era, they would be wise to consult To Rise Again at a Decent Hour. It captures what it is to be alive in early 21st-century America like nothing else I've read."—Anthony Marra, author of New York Times bestseller A Constellation of Vital Phenomena
"[Ferris] shrewdly stages a kind of theological symposium in [an] uncomfortably intimate place, conducted halfway between levity and overeager sincerity... It's a pleasure watching this young writer confidently range from the registers of broad punchline comedy to genuine spiritual depth. The complementary notes of absurdity, alienation and longing read like Kurt Vonnegut or Joseph Heller customized for the 21st Century."—Sam Sacks, The Wall Street Journal
"To Rise Again at a Decent Hour reminds us that even existential suffering can prove both charming and hilarious...Ferris has written an arresting novel, a playfully ironic riff on how a man can come to know himself...the cumulative effect of the novel tugs the heart just as surely as it sparks the mind."—Bruce Machart, Houston Chronicle
"An engrossing and hilariously bleak novel . . . This splintering of the self hasn't been performed in fiction so neatly since Philip Roth's Operation Shylock."—John Freeman, Boston Globe
"[An] alternately sad and hilarious new book...To Rise Again at a Decent Hour showcases the wit, intelligence and keen eye for workplace absurdity the author displayed to such great effect in his first novel . . . a welcome outlet for Ferris' enormous virtuosity as a philosopher and storyteller. Ferris raises profound questions about the role of faith, not just in belonging, but in living."—Daniel Akst, Newsday
"Suffice it to say that To Rise Again at a Decent Hour isn't just one of the best novels of the year, it's one of the funniest, and most unexpectedly profound, works of fiction in a very long time."—Michael Schaub, NPR.org
almost Pynchon-esque complexity, Ferris melds conspiracy and questions of faith
in an entertaining way...Full of life's rough edges, the book resists a neat
conclusion, favoring instead a simple scene that is comic perfection... Smart,
sad, hilarious and eloquent, this shows a writer at the top of his
game and surpassing the promise of his celebrated debut."
PRAISE FOR THE UNNAMED:
"A stunner, an unnerving portrait of a man stripped of civilization's defenses. Ferris's prose is brash, extravagant, and, near the end, chillingly beautiful."—The New Yorker
"Spellbinding....The Unnamed unfolds in a hushed, shadowed dimension located somewhere between myth and a David Mamet play."—Laura Miller, Salon.com